Santiago Villanueva, Y Gallery

I first met Artist Santiago Villanueva in 2010 in Buenos Aires. We were inside of the University of Buenos Aires social sciences campus, called “Marcelo T. de Alvear,” spending the day hijacking social and political student protest posters that would later be utilized in another artist’s exhibition in Scotland. That university campus is known as the most activist campus in the city.

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At that time I was very wide-eyed and excited, witnessing first-hand this incredibly palpable activist energy in Buenos Aires. I was noticing the strong sociopolitical commentary both in the city’s daily life, as well as in art and expression in Argentina in general. It was coming from students and citizens of all walks of life, as well as from the top contemporary artists in the country.

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I’m thrilled to share that Villanueva, one of the influential contemporary artists I had the privilege of spending time with there, is currently exhibiting at NYC’s Y Gallery on the lower east side with a show titled “First Impressions.” The exhibition comprises a series of recent works that reflect his continuing revision of Argentinian history and art history.

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“First Impressions” combines a mid-19th century Argentinian visual tradition called the “disorderly table,” or, “mesa revuelta” (imagine it as a messy still life), with the results of Villanueva’s past two years of research about Argentinian art history. For the project, Villanueva worked with a variety of media including papers, threads, letters, documents and images selected from both the mass media and the works of specific artists. The result is a personal map or atlas of Argentinian art history that both changes the usual visual expectations of a still life, and provides a unique, non-linear methodology for the understanding of art history that breaks from traditional pedagogic approaches.

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This exhibition marks another success in Villanueva’s exciting career. In recent years he has received a consistent stream of honors from prestigious organizations, including scholarships at the Center for Artistic Research (Centro de Investigaciones Artísticas – CIA) and the Cisneros Fontanals Art Foundation (Fundación Cisneros Fontanals – CIFO), as well as appearances in museums and institutions including the General Argentine Consulate in New York, the Museum of Modern Art of Buenos Aires (MAMBA), and the Museum of Latin American Contemporary Art (MACLA).

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Stop by Y Gallery (319 Grand St.) to see “First Impressions,” open through November 15th, 2015.

 

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Theresa Byrnes, TBG

I’m privileged to have spontaneously met Australian performance artist Theresa Byrnes a few weeks ago while strolling down East 9th Street. What a remarkable person. I was walking home from an estate auction in Greenwich Village, and popped my head into what appeared to be an open gallery space called TBG (Theresa Byrnes Gallery). I entered the bright, colorful room, filled floor to ceiling with an abundance of kinetic paintings created by Theresa Byrnes and her mother and fellow artist Lorraine Byrnes.

Lorraine warmly welcomed me into the gallery. I felt like she was my mother, too! She and Theresa had recently debuted “Offspring,” their joint exhibition, with an opening reception that took place at TBG on July 30th.

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It wasn’t until I’d made my way to the back of the gallery that I met Theresa. She told me that the back portion of the space was her studio.

Theresa was one of the coolest-dressed people I’d seen all day. I immediately fell in love with her style and arresting smile. She was wearing a funky black hat, a pale pink punk-rocker style T-shirt, black jeans, and a set of badass red high-top kicks. Finally, there was her most unique accessory: her wheelchair.

Theresa and I spoke for close to an hour, getting to know each other. After reading more about her following our meeting, I found out that she has a degenerative disease called Friedrich’s ataxia, that causes progressive damage to the nervous system. I am incredibly inspired by how clear it is, from both meeting Theresa and reading about her, that she doesn’t allow the disease she lives with to define her or control her. She finds freedom in her work and nothing seems to hold her back from being her full, powerfully talented creative self. This fascinating article from The Villager can tell you a bit more about her story. I’m in awe of her.

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Theresa’s infant son, Sparrow, was with her in the gallery space. I loved the way her passion came through so clearly when speaking about art, creating, and her son. Her palpable joy and refreshing attitude toward life and art made me feel happy.

I am pleased to share a preview of her piece, “Being Two,” shown below.  I also invite you to watch this video interview, conducted with Theresa last year on ABC (Australia). It will give you a sneak peek of the amazing person and artist that I had the opportunity to meet face-to-face. Finally, I hope that if you’re planning to visit Alphabet City any time soon, you take a moment to stop by TBG at 616 East 9th St. between Avenues B & C to check out her work.

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