It may be Super Bowl weekend, but it’s also Chinese New Year, and contemporary artist ChiKa has something exciting in store for those visiting the MET this Saturday to celebrate the Year of the Monkey. Artifactoid sits down with the Japan-born New York-based talent to talk projection mapping, LED light installations, and the fireworks she is setting off at the MET today with your tweets.
Artifactoid: What inspired you to work with projection mapping and LED light as mediums? How did you get your start with them and what drew you in?
ChiKa: For projection mapping, it was a natural progression of interest from working with live visuals and VJing; I was working with experimental composers, festivals and clubs. The organic next step for me was projection mapping. I wanted to explore. I got out of doing ordinary projection surfaces in dark spaces (2D screens) and moved toward doing projection mapping onto 3D surfaces and objects. As for how I got my start, I was working as a graphic designer at a big corporation and wanted to do something artsy. So, I started going out to anywhere that would let me perform live visuals and VJ every weekend.
Then, my interest in LED light installation stemmed from the projection mapping. When the software I used for projection mapping, “MadMapper,” released its new feature, MadLight, that allowed me to control LED lights from video content, I decided that I wanted to shift from projection to an LED light installation.The stage set made during Mapping Festival in Geneva also inspired me to get into LED light installations. To get started, a good friend of mine (who is one of the founders of MadMapper) gave me a jump-start technical session. I love to make the geometric structures with led lights!
Artifactoid: What are some of the most memorable projects you’ve worked on with each medium?
ChiKa: For projection mapping, it was projection mapping in Mexico during MOD Festival, and for LED light installations, it was my first large public installation, SEI02 at the Dumbo Arts Festival 2014.
Artifactoid: What was your most challenging art installation to pull off and how did you do it?
ChiKa: Every installation is a challenge. I think it is a nature of the technology. No matter how much I prepare before the installation, you never know what will happen. Be patient, organized and just clear problems one by one. Always works in the end anyway.
Artifactoid: Who are some other talented artists working in the spaces of LED and projection mapping who inspire you?
Artifactoid: What is the best piece of advice you’ve received in your career as an artist?
ChiKa: Follow your dream.
Artifactoid: How does teaching projection mapping and theater affect the way you approach your own art?
ChiKa: I can alway learn from my students. I need to be very flexible in order to be able to teach. I also teach differently every time I teach. There is no one way to teach. Art is the same; there is no one way.
Artifactoid: What are your additional artistic influences?
ChiKa: My background: being Japanese. Also, my ethicality. That always shows in my artwork. A third influence of mine is good music.
Artifactoid: Tell me a bit about your exciting project at the MET for Chinese New Year.
ChiKa: For this project, I am working with my partner in crime, Calli Higgins, who I have been working with since graduate school at NYU ITP. We are creating digital fireworks triggered by the Twitter hashtag “#metfest” during the Chinese New Year event at the Metropolitan Museum of Art. You can check it out today, here!
Artifactoid: Anything else you’d like to add?