Jack Pierson, Cheim & Read

Cheim & Read’s installation of Jack Pierson’s “onthisisland,” a collection of 150 small watercolor and graphite works on paper, was curated excellently.

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I stepped into the gallery and wanted to stay there longer just because of how well the presentation and the work amplified each other in such a satisfying way. In the front room of the exhibition, the paintings and drawings were so clean, simple, elegant and fresh, that they required a display that echoed those elements throughout the room.

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Mounted on “boxes” stretched tightly with natural-tone linen, the paintings and sketches were given the opportunity to invite viewers to contemplate their simplicity, and possibly even turn it on its head.

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This sensation continued into the back room of the installation, where Pierson’s larger graphite drawings were on display.

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These dark, striking, doodle-like drawings with seemingly surrealist and op-art influences commanded me to recognize their complexity. The below piece is one I’d like to spotlight in this post:

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I’m a fan of this piece in particular because it brought a flood of questions to my head that I am grateful to have circulating in there, including:

  • Why do I look at something like this and think that there is more depth to it than a child’s doodle? Or is there not?
  • Or, does a child’s doodle have the potential to be deep, so there isn’t even a conflict with that comparison?
  • Also, am I thinking there’s something to this only because it’s galleried artwork? How much is the gallery’s affirmation of the art affecting my overall perception of it?
  • Was the placement, shape and size of the forms in the piece spontaneous or premeditated?
  • Does each have a meaning, meant to be decoded? Or do they each mean nothing?
  • It looks like the artist has disregarded many conventional rules of composition and drawing technique. To what extent is that true, and what does that mean?
  • Is this piece irreverent, or is it genius? Or both? Or neither?

I think that in conversations about art, works like this are generally controversial, because people really do wonder, why is this in a gallery or museum? Why or how does this piece display talent or have value? So, since I am fascinated and looking for more understanding, I’m looking forward to hopefully receiving some comments about this piece and this concept as a whole.

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